![cante jondo of the three sisters cante jondo of the three sisters](https://www.northern-cape-info.co.za/info/towns/743/images/bottom_images/0.jpg)
Martillo – hammer – to strike the floor with the heel or toe of the shoe and quickly pick it up Marcando – movements of the dancer during the letra First known as ‘Manton de Manila’ from its origins in Manila. Manton – embroidered silk shawl with long fringes. Malagueñas – a free-form flamenco style (no specific compás, interpretive, and not danced) from Malaga. Llamada – a dance step to advise the guitarist of a change in a dancer’s variation. Juerga – a flamenco jam session or private party L Jaleo – shouts of encouragement, olé! being the most common Guajiras – flamenco-influenced song from Cuba danced in 6/8, 12/8 time J
Cante jondo of the three sisters full#
related to footwork full sole of the foot striking the floor. Glissade-changée – glissade, changing in this glissade the feet alternate each time in the fifth position that is, if R foot is in back in the fifth position and the glissade is done to the right, the R foot will finish in the fifth position front, and vice versa Garrotín – a Gypsy song and dance in 4/4 time with a major tonality Spanish folk dance of Andalucia, 3/4 timeįarruca – flamenco dance form in 4/4 time from Galicia a long section of footwork Fįalseta – a melodic variation on the flamenco guitarįandango – a popular song and dance form related to Sevillanas. a dance step which resembles the sweeping motion of a broom, 2. portion of a dance and the accompanying music marking the end of a phrase with heel-work, 2. verseĬuadro Flamenco – a unit of flamenco singers, dancers and guitarists Dĭesplante – 1. to be in sympathy with what is happening with the other members of a group.Ĭontra-tiempo – 1. metre, the rhythmic feel of a song or dance form 2. Although this step is used in other Spanish dances, it is traditionally performed four times at the end of fourth copla of SevillanasĬeasé – also spelled seasé, similar to a balletic glissade changée – used in the first section of the second copla of SevillanasĬolombianas – flamenco style believed to have been influenced by South American rhythmsĬompás – 1.
![cante jondo of the three sisters cante jondo of the three sisters](https://www.lavanguardia.com/files/og_thumbnail/uploads/2021/11/12/618eee3ac5881.jpeg)
The ‘golden age’ of the Café Cantante was in the late 1800s.Ĭajon – percussive instrument similar to an empty wooden boxĬambio – change – refers to a change in footwork or braceo exercises can also refer to a change in a musical melodic patternĬante Chico – song – song form – light style of flamenco songĬante Jondo – song – song form – deep and solemn style of flamenco songĬantiñas – the family of songs to which the alegrias belong: also includes romeras, mirabras, caracoles, and modern inventions “por alegrias”Ĭareo – meeting face to face. Flamenco is primarily an Andalucian phenomenon Bīailarín/a – male/female Spanish classical dancerīraceo – the arm movements of a Spanish/flamenco dancerīulerías – song and dance form in 6/8 time, most difficult and improvisational of the flamenco styles CĬadenas – footwork combination in triplets, starting with the golpe of one foot followed by the heel of the opposite foot (which can be a martillo, tacon or talon), and returning to the starting foot using a talonĬafé Cantante – coffee house with flamenco shows (originally starting with flamenco cante but eventually covering all flamenco forms).
![cante jondo of the three sisters cante jondo of the three sisters](https://i.psnprofiles.com/games/05ad65/Lb4f0cc.png)
![cante jondo of the three sisters cante jondo of the three sisters](https://cdn.britannica.com/85/177485-050-34B42C5C/dancer.jpg)
Usually played in the key of A or E major.Īndalucía – the region that occupies the south of Spain made up of eight provinces. Aficionado/a – connoisseur, fan, non-professional performerĪlegrías – joy or happiness, a popular song/dance form in 12/8 time.